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Geena Davis' 8th Annual Bentonville Film Festival Unveils Competition and Spotlight Lineup

8TH ANNUAL BENTONVILLE FILM FESTIVAL, LED BY GEENA DAVIS, ANNOUNCES COMPETITION LINE-UP  Festival will open with World Premiere of The Seven Faces of Jane Co-Directed by Julian Acosta, Xan Cassavetes, Gia Coppola, Ryan Heffington, Boma Lluma, Gillian Jacobs, Ken Jeong and Alex Takacs

The Bentonville Film Foundation, in collaboration with founding partner, Walmart, and presenting sponsor, Coca-Cola, announced narrative, documentary, short film, and episodic selections premiering in-person at the 2022 Bentonville Film Festival’s competition program, set for June 22-26 in Bentonville, AR. A virtual component to the festival will have an extended run, opening June 22 and closing July 3. The annual Festival is a globally recognized platform amplifying female, non-binary, LGBTQIA+, BIPOC, and people with disabilities’ voices in entertainment. Festival passes and single tickets are on sale now.


Opening night of the festival will feature the world premiere of The Seven Faces of Jane Co-Directed by Julian Acosta, Xan Cassavetes, Gia Coppola, Ryan Heffington, Boma Lluma, Gillian Jacobs, Ken Jeong and Alex Takacs. This year’s programming illuminates a wide array of storytelling that showcases talent and filmmakers alike. More than 82% of the competition program is from content creators who identify as female or gender non-confirming; 65% who identify as BIPOC, Asian, or Pacific Islander; 62% who identify as LGBTQIA+; 42% who are over 50; and 20% who identify as a person with disability. In addition for the 2022 program, onscreen leads are 90% women/gender non conforming, 60% BIPOC, 25% LGBTQ+ and 12% representing talent with disabilities. “We are proud to be back for the 8th year to bring audiences, both in-person and virtually, an inspiring selection of films celebrating diversity and inclusion on screen and behind the camera,” said Geena Davis, Bentonville Film Festival Chair. “We’re thrilled to spotlight storytelling that is transformative, which demonstrates the power of intersectional equity in entertainment media.”